A film based on the 1939 Dong-A Ilbo's New Year's Literature.The female protagonist loves a handsome young man who lives in the same village and is a musician. However, her parents plan to marry her by arrangement. Around that time, the young man leaves to study in Japan, and she decides to get married at the behest of her parents. The day the young man returned from studying abroad was her wedding day. The young man ran to her wedding hall to no avail. Lost in despair, she wanders and decides to have a concert in her home country, persuaded by her friends. And in the back seat of the presentation, there was a woman in tears.

第四届阿比鹿音乐奖概念大片 "Power to the People" 新鲜出炉！阿比鹿可能就藏在我们身边，他们是谁？在日复一日的普通生活之外，他们也可能拥有另一种精彩！激动人心的音乐响起时，路人也会变身为鹿人。We are the power, we are the people!

第四届阿比鹿音乐奖概念大片 "Power to the People" 新鲜出炉！阿比鹿可能就藏在我们身边，他们是谁？在日复一日的普通生活之外，他们也可能拥有另一种精彩！激动人心的音乐响起时，路人也会变身为鹿人。We are the power, we are the people!

The film tells the story of the revolutionary relationship of Huey P. Newton and Bobby Seale, who founded the Black Panthers originally to protest police brutality against African Americans.

Choi Seok, a historian, raises Jeong-im after her parents pass away. But when her gratitude turns into feelings for him, he is criticized and so leaves the school. When Jeong-im is hospitalized, he gives her a lump sum of money and leaves for Hokkaido, Japan. When Jeong-im finds out the truth, she and Oh Jin-wu, an admirer of hers, go to Choi Seok who's now fighting brain tumor...

Choi Seok, a historian, raises Jeong-im after her parents pass away. But when her gratitude turns into feelings for him, he is criticized and so leaves the school. When Jeong-im is hospitalized, he gives her a lump sum of money and leaves for Hokkaido, Japan. When Jeong-im finds out the truth, she and Oh Jin-wu, an admirer of hers, go to Choi Seok who's now fighting brain tumor...

Two losers who'll do anything to try and be successful in the Triad world, but all they've accomplished is having a bad luck reputation.

Jean-Yves Machond, a globally unknown and generally unhappy painter, decides one day to change his life. He seeks inspiration in a small Norman town, in order to design a masterpiece that will finally earn him glory and eternal recognition. But his meeting with local artists, from the warm Bagnoule to the skillful Cécile, will somewhat make him deviate from his path, and bring him face to face with his deepest dream: that of simply being a happy man.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.

This was a reasonable documentary that caught up with '80s pop maverick Morrissey, who now lives in the lap of luxury in America. Still worshipped by legions of fans, lauded by trendy music critics and name-dropped by lots of recent bands, Morrissey remains a controversial and rather strange character. He proved in this documentary that he is still as funny and as acerbic as ever, although the music certainly isn't as fresh, vibrant or interesting as it was in the Smiths. The problem with the documentary, though, is that it demonstrated quite clearly that he still tends to stand against much more than he stands for. His devotion to vegetarianism has remained consistent, but his status as a political artist has no substance. He criticises Tony Blair and the Royals, just as he criticised Mrs Thatcher and the Royals back in his prime, but he offers no constructive, viable political views. He just criticises for the sake of it while living in opulence. He now represents the kind of wealth, luxury and smugness that his fans detested about his '80s pop contemporaries. 　　A funny, entertaining figure? Certainly. But a credible spokesman on the world's problems who should be taken as seriously as he obviously is by many? This documentary did nothing to quell my doubts about that.